Against the avant-garde : Pier Paolo Pasolini, contemporary art, and neocapitalism /
Recognized in America chiefly for his films, Pier Paolo Pasolini (1922-1975) in fact reinvented interdisciplinarity in post-war Europe. Pasolini self-confessedly approached the cinematic image through painting, and the numerous allusions to early modern frescoes and altarpieces in his films have bee...
Gardado en:
| Autor Principal: | |
|---|---|
| Formato: | Libro |
| Idioma: | inglés |
| Publicado: |
Chicago: The University of Chicago,
2020
|
| Tags: |
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
|
BOLOGNA | Centro di Documentazione "Flavia Madaschi" Cassero LGBTQIA+ Center
| Número de Clasificación: |
DOC 791.430 MER |
|---|---|
| Copia |
On Shelf
Notes:
|