Against the avant-garde : Pier Paolo Pasolini, contemporary art, and neocapitalism /
Recognized in America chiefly for his films, Pier Paolo Pasolini (1922-1975) in fact reinvented interdisciplinarity in post-war Europe. Pasolini self-confessedly approached the cinematic image through painting, and the numerous allusions to early modern frescoes and altarpieces in his films have bee...
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| Materiálatiipa: | Girji |
| Giella: | eaŋgalasgiella |
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Chicago: The University of Chicago,
2020
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BOLOGNA | Centro di Documentazione "Flavia Madaschi" Cassero LGBTQIA+ Center
| Hildobáiki: |
DOC 791.430 MER |
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| Njađus |
On Shelf
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