Against the avant-garde : Pier Paolo Pasolini, contemporary art, and neocapitalism /

Recognized in America chiefly for his films, Pier Paolo Pasolini (1922-1975) in fact reinvented interdisciplinarity in post-war Europe. Pasolini self-confessedly approached the cinematic image through painting, and the numerous allusions to early modern frescoes and altarpieces in his films have bee...

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Bibliografische gegevens
Hoofdauteur: Merjian, Ara H. (Auteur)
Formaat: Boek
Taal:Engels
Gepubliceerd in: Chicago: The University of Chicago, 2020
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